At first, I didn't want to go because it's a school jam... and because there was no prize money/tournament to win. 3 exhibition battles though. Sounded interesting.
My initial reluctance to go was defeated by the promising line-up of Foundation FunKollective DJs, the $3 entry, and because it's a SCHOOL JAM!
^seems like a contradiction since "school jam" was a reason I didn't want to go, but I really just changed my perspective. Plus, if I preach open-mindedness without keeping my own mind open, it would be wack.
School jams are dope, cuz it's dancing students. They get their chance to shine, in a way that they wouldn't in bigger jams like FreestyleSession. So they go hard! You got engineers, scientists, dudes in pre-med, designers, grad students, Internationals, etc.. Basically, a diverse group of cool ass people...who share a love for dance/music/hip hop culture. School jams are tight! Especially LMU jams....tf was I thinking.
On an aside: Hip hop is arguably the greatest culture of our time. As a historically new, yet fundamentally ancient, set of traditions, it is continuing to grow in a "glocalized" way. Glocalized meaning it is global (borderless), but also local (regional distinct). It is owned by no one, yet shared by everyone. Hip hop is both mainstream and underground. It's a culture of contradiction, which is a topic to be discussed in a later post.
II. Back to the jam though...
It got pretty hyped considering most students are in midterms/finals mode.
Especially the last two exhibition battles! TINacious (CSUF) vs Archer (UCLA) and JC (UCR) vs Bangkok Dangerous (CSUF) - Go UCLA! Music was on-point. Tasteful DJs are so critical to a jam; DJ Abel, DJ Mel, and DJ Dwenz kept the dancers sweatin'—At least I was. Haha. I'm wack as fuck coming back from injury, and I still managed to get down the whole night. It's that Boogie music.
III. Competition Is On The Rise
The cyphers were fun too, but either I'm losing my touch, or these young whippersnappers are just getting fucking good. I've seen cats who started breaking after I did, get better than me! They definitely got some moves that I don't got. I mean, a lot of them still aren't better than me YET, but a good amount are on their way if they stay hungry.
I'm still training and doing my thing though, so if you're coming to get me, do it already. Quit talkin' shit. And don't call me out right after I just battle a cat, you weak ass fuck! You know who you are AHAHAHA.
IV. In Conclusion
Anyway, I'm happy to see more bboys in higher education. I don't think it was like this when I started. I creditz the Internet, TV, and Movies for the exposure. I also credit the dope ass bboys, promoters, movie producers, etc. who inspired a new generation of bboys, as well as the new generation itself that prioritizes dancing AND academics.
What are the implications of having so many bboys/bgirls/dancers in college? I don't know, but it definitely points to a changing landscape for hip hop. And a healthier, cooler generation of adults.
One day, there will be a Bboying Grandpa's tournament. Can't stop the rock.
Continuing that aside: Hip hop can be seen as a social evolution.
"Gangs put down their weapons upon the mutual awareness of their common enemy, and their common struggles. Born out of the urban ghettos of a stagflated economy, the practices of hip hop are sustainable, recession-proof... We session through recession."
^To be continued in a later post.
Last final note: I was extra glad to see people at this jam because I fly out to New Orleans at the end of the month. Damn, dope seeing you all. Community shit.
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